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Transitional Architectures #6: Everyday Architectures and Politics: Conflict, Ecology, Infrastructure
Everyday Architectures and Politics: Conflict, Ecology, Infrastructure Chair of Methods and Analysis and Explore Lab invite you to participate on their sixth Transitional Architectures event and discuss about different landscapes […]
TRANSITIONAL ARCHITECTURES Collective learning and cross media practices Event 3: THINKING, WORKING AND WRITING WITH YONA FRIEDMAN Manuel Orazi, Architectural Historian and Professor at the University of Ferrara Manuel, in […]
#Unfollowed is a symposium about wellbeing in architecture, seen from different perspectives. These perspectives are seldom discussed in our architectural education, even though they are valuable for our architectural education. […]
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THE SILENT LAKE: A COMMUNITY BASED ALTERNATIVE FOR EXPLORING RURAL DYNAMICSKevin Jan Mazanek
For a long time, experts have focused their attention mainly towards the city and the urban development. As a consequence of largely concentrating on urban areas, the rural space has been left aside in the contemporary discourse even though the societal and technological changes in “rural areas” have been highly dynamic considering recent history. As Rem Koolhaas stated: “The countryside is an amalgamation of tendencies that are outside our overview and outside our awareness. Our current obsession with only the city is highly irresponsible because one cannot understand the city without understanding the countryside.”
Alongside the fast development of cities, digitalization, the threats of an unstable political as well as economic situation and a wish for a simpler life, more and more citizens are migrating towards rural areas. These modern nomads tend to organize themselves in communities occupying the countryside while still being connected to the “city”.
In order to study the implications and potentials of such rural communities, we will collaborate with a group of young adults and their families that initiated a similar project at the “Silent Lake” in Poland situated in the Kaszub forest north-west from Warsaw. The core of the ideas cultivated at the Silent Lake is the exploration of a “new lifestyle” that bridges the knowledge gained through operating in the globalised world with a conscient return to the countryside on a journey to rediscover traditional values and skills related to a more sustainable way of living (experimenting with “new-old” ways of thinking, living and building) and share this knowledge with each other. During our study, we will collaborate with the community at the Silent Lake in order to explore the further development of the “Silent Settlement” within a participatory design project.
Spectacle in the HinterlandsJazmin Charalambous
London is well-known for its “iconic” buildings, however it is common that little attention is given to the places hidden in the shadows of these icons. Further out from the centre, in the suburbs of northwest London – dubbed ‘Metro-Land’ by the Metropolitan Railway in 1915 – is the site of Wembley Stadium, which overshadows much of its neighbouring towns. I am interested in analysing the interstices between the extraordinary and the everyday in these hinterlands, and how it is possible to bring a sense of the spectacular and its virtues into the daily life of the people occupying these often unseen and unheard-of parts of London.
This interest can be investigated by understanding the qualities of modern theatre, which attempts to create the biggest impact through the smallest possible mediations – creating theatre that is truthful, alive and meaningful by imposing constraints. The surface of space becomes the mode of exploration in an attempt to understand how surfaces are the commons that allow people the necessary silence and excitement to harness the relationships made in public and private life, and which render the invisible visible.
Keywords: Spectacle, Everyday, Surface, Theatre, Materiality, Territory, Constraint
An architecture for the mind – lessons on the theory of Dom Hans van der LaanJoppe Douma
I think everyone knows the experience of climbing a sand dune to find the impressive view of an immense beach and measureless sea. It’s almost too much to take in. For a moment you lose yourself.
These kind of experiences led the architect and monk Hans van der Laan to investigate how we search for grip in the immense space.
Based on our perceptual abilities, the human discernment, he developed a proportional system. The goal is to create an architecture that establishes order in its environment, thus making it readable.
Rather than using the metric system, as we don’t perceive a space in meters, he uses a series of measurements that relate to each other. It’s not about fixed numbers but about the relation between the different parts which together compose a harmonious space.
In our current society full of impulses it’s good to grasp back on a way to create architecture which offers rest, peace and order, which is understandable and makes us feel at ease.
By describing, testing and showing the implications in models of the important aspects of the theory, I hope to offer an understandable insight of the application of the theory. In this way it can become a design manual on the use of proportion, colour and material.