We strive now more than ever for a life of productivity in defined events and spaces, on the other side of which waiting is implicated as a waste, something to be diminished by any means. Still we constantly wait. In waiting, and towards waiting, bodies are repeatedly captured and reproduced by contemporary architecture. The tension between bodily rhythms in waiting, and spatial rhythms generates a theatrical force shaping architectural experience and public life. However, as designers who structures places where bodies perform, we do not understand waiting enough, for we do not consider such mundane activity (if one would call it as such) important to investigate.
The thesis looks into the bodily experience in waiting through the concept of rhythm and ritornello. Waiting is seen as a time when the social time fails to be captured by mathematical time, when bodily rhythms intertwine, disturb intensively with spatial rhythms. By studying certain affects experienced in bodies in relation to architecture, the project investigates how layered performative territorization can be empowered in waiting, through affects.
Keywords: waiting; body; rhythm; ritornello; territory; subjectivity; interiority